Projects
PAINTED ROOM
dir. Alec Simmons
Shot entirely on VHS, Painted Room is an eerie, esoteric exploration of displacement and memory, told through the quiet rituals of a painter moving into a new home. As he brushes fresh coats onto the walls, strange visitors begin to appear—ghosts not of the dead, but of the displaced.
The film interrogates what it means to replace the old with the new. Each layer of paint becomes a scar of those who came before—a visual metaphor for lives overwritten but not erased.
Painted Room was selected at several independent and genre-focused film festivals, where its analog aesthetic and quiet unease resonated with audiences. It went on to win Best Micro Short at Hastings Rock Film Festival, recognised for its inventive style and powerful thematic depth.
7 DAY EXPERT
dir. Hannah Dodge - producer: Julia Waller
Student RTS nominated for best entertainment format, and produced at the world-renowned National Film and Television School by Julia Waller, 7 Day Expert is a sharp reality-TV concept that pits three contestants against each other for a single job — but only one is actually qualified. The twist? Two are faking it. In this episode, set in the world of hairdressing, the competitors must convince a panel of judges and each other that they’re the real professional.
Fast-paced, and funny, 7 Day Expert explores the fine line between confidence and competence, asking what it really means to be an expert — and who gets to decide.
(UNTITLED SWEAT LODGE PROJECT)
dir. Alec Simmons
Currently in pre-production, Untitled Sweat Lodge Project follows two First Nations sisters as they share a sweat lodge, where buried family tensions and repressed trauma begin to surface. Get in touch if you would like to be involved.
More to follow…
GRAVE DANGER
dir. Giada Bagnatti
Grave Danger centers on a woman trapped in a brutal world ruled by men, where loyalty is demanded and power is hoarded. Married to a feared gangster, she’s treated as disposable—just another pawn in a violent, male-dominated game. But beneath the surface lies a woman of depth, intelligence, and quiet resistance, navigating a world that constantly underestimates her.
As tensions rise and the stakes grow deadly, she’s forced to confront not only the danger around her but the strength within her. Grave Danger is a powerful exploration of survival, identity, and the courage it takes to rise in a system designed to silence you. Through a diverse lens, the film speaks to women’s resilience and the unyielding will to rewrite their own stories.
HOW TO TAKE CARE OF A PEACH
dir. Alec Simmons
How to Take Care of a Peach is a charming hand-drawn animated short that follows the life of a relationship between the narrator and his beloved peach. Told through the lens of gentle, often humorous advice on romance, the film traces their journey from the blossoming of new love to the quiet intimacy of growing old together.
Blending warmth, whimsy, and emotional insight, the film offers a unique and tender reflection on what it means to care for someone over time. Winner of Best Film at Penticton’s Reel Peach Fest, How to Take Care of a Peach is a poetic celebration of love in all its simple, enduring beauty.
THE ESCAPE
dir. Julia Waller
The Escape is a short film about two sharp-witted elderly women who, feeling forgotten and fenced in at their retirement home, decide they’re not going to wait quietly for the end. When an opportunity arises, they blackmail a nervous young nurse into helping them pull off a secret late-night breakout — determined to reclaim one final, glorious night of freedom on their own terms.
Blending humour, heart, and a touch of mischief, The Escape is a celebration of agency in aging, and a reminder that the desire for connection, thrill, and autonomy never fades — no matter how old you are. With defiance in their step and lipstick in their purses, these women remind us that it’s never too late to raise a little hell.
PRUNEY
dir. Alec Simmons
Pruney is an absurd dramedy about a writer who finds his greatest creative inspiration in the shower—only to become increasingly addicted to the ritual. As his obsession deepens, and his skin grows ever more prune-like, his grip on reality (and relationships) begins to slip. What starts as a harmless creative habit spirals into a surreal, waterlogged descent.
Meta, playful, and tinged with melancholy, Pruney explores the fine line between artistic passion and personal sacrifice. It’s a sharp, self-aware reflection on the cost of chasing creativity at all costs—and what happens when you pour everything into your work, but forget to come up for air.
DAISY
dir. Alec Simmons
Daisy is a sci-fi short film exploring mental health, isolation, and the quiet power of human connection. It follows a young woman living in quiet isolation — until an unmarked package arrives at her door. Inside is Daisy, a coldly programmed "end-of-life support companion," designed to assist in her final decision.
But what begins with artificial apathy takes a turn as Daisy's presence — paradoxically — forces the woman to confront her own worth, her grief, and the life she's been trying to leave behind. In the irony of being offered help to let go, she finds a renewed desire to hold on.
Balancing speculative storytelling with emotional intimacy, Daisy is a stark but hopeful reminder that reaching out — in any form — can spark the will to survive.
989
dir. Julia Waller
989 is a near-future short film that reimagines crisis helplines with chilling detachment — set in a dystopian world where a private company provides “end-of-life consultations” under the guise of emotional support. We follow one operator on the job, trained not to help people live, but to manage their final moments with sterile efficiency.
Dark, restrained, and thought-provoking, 989 is a meditation on apathy, connection, and the urgent human need to be heard — especially when it matters most. The film was selected for several international festivals, including the Venice Shorts Festival, where its unsettling vision of care gone cold resonated with audiences.
RED NOSE ANIMATION
dir. Alec Simmons
Red Nose Animation is a 3-minute stop-motion short created for Comic Relief. Designed to thank and celebrate donors, the film traces the evolution of the iconic Red Nose across the decades — from its earliest form to today — capturing the humour, heart, and history behind one of the UK’s most beloved charitable symbols.
Playful and nostalgic, the animation honours the enduring impact of giving, decade by decade.
A POKER FILM
dir. Alec Simmons
A Poker Film is a gritty short shot on 16mm, set in a dimly lit basement where an employee and employer face off in a tense, high-stakes poker game. What begins as a simple wager slowly unravels into a psychological standoff — where money, power, and unspoken resentment hang in the smoke-filled air.
Stylised and tightly wound, A Poker Film explores class, control, and the games we play to shift the odds in our favour.
SMALL MEDIUM
dir. Alec Simmons
Small Medium is a short digital comedy sketch about two friends who visit an eccentric spiritual medium for a reading — only to find themselves caught in a hilariously awkward séance full of mixed messages and questionable clairvoyance.
Weird vibes, dodgy spirits, and a medium with zero filter — Small Medium is what happens when fortune telling meets group therapy... badly.
UNTITLED ELVIS TRIBUTE ARTIST DOCUMENTARY
dir. Alec Simmons
Currently in post-production, Untitled Elvis Tribute Artist Documentary follows a young comedian as he dives headfirst into the world of Elvis tribute artists — attempting to find out what it really takes to become The King.
More to follow…